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The Parousia ; A Critical Study of the Scripture Doctrines of Christ's Second Coming, His Reign as King ; The Resurrection of the Dead

Israel P. Warren
1879

Christ Yet to Come:
Review of Warren's "Parousia"

Rev. Josiah Litch
1880


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The Middle Ages
"VENGEANCE OF THE LORD" AND "WANDERING JEW" TRADITIONS

"Vengeance of the Lord" Tradition | Vengeance of Our Lord: Medieval Dramatizations of the Destruction of Jerusalem | Avenging of the Savior | Siege of Jerusalem | Aucto de la destruición de Jerusalén | Catalan Language | Medieval Sources

 

"As Alvin E. Ford has pointed out, the fourteenth and fifteenth centuries were witness to a flurry of texts in the Vengeance of Our Lord tradition: "Verse versions, prose versions, chansons de geste, mystery plays, book-length documents and one-page résumés, all attest to the widespread diffusion of the apocryphal Vengeance of Our Lord throughout the medieval Christian world." Of Old and Middle French prose versions alone, Ford identifies fifty-four (and counting) manuscripts, "representing nine independent but interrelated traditions," the primary works being La Vengeance de Nostre-Seigneur and Roger d'Argenteuil's Bible en François.18 Wright, studying the representation of Jerusalem's destruction in medieval drama, comments (p. 1) on the surprising popularity of the story in drama during this same period:

From their first appearance in the mid-fourteenth century until as late as 1622, plays of the destruction of Jerusalem are known to have been performed in six different languages (German, French, Italian, Spanish, English, and Latin) to the delight of audiences in dozens of communities scattered across the Continent. Indeed, French performance records indicate that, over the course of more than two centuries, only the story of Christ's Passion was staged more frequently than the Vengeance of Our Lord. By the late sixteenth century, dramatizations of the siege of Jerusalem, most of which required from two to four days to perform, had spread from their earliest homes in Thuringia and Burgundy to the Tirol, Savoy, the Italian Briançonnais, Switzerland, England, and Castile.

Even within the relatively small corpus of late Middle English poetry, we have at least four extant poems that focus primarily on the Vengeance of Our Lord: the alliterative poem of Siege of Jerusalem here edited, two versions (one short, one long) of the rhyming-couplet Titus and Vespasian, and a translation of Roger d'Argenteuil's Bible en François. " Edited by Michael Livingston

SIEGE OF JERUSALEM: BIBLIOGRAPHY

 

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